| Category | Item | # of times mentioned | |
| 1 | action | A kiss on the neck from behind, hands sliding over the stomach. | |
| 2 | action | A wordless look between two people that communicates meaning. | |
| 3 | action | any kind of non-fatal injury where there's blood without incapacitation | |
| 4 | action | awkward sex, | |
| 5 | action | Back alley, up against the wall sex. | |
| 6 | action | Biting your own hand to muffle moans. | |
| 7 | action | Blowjobs when the person giving it has all the power and what they choose to do with it | |
| 8 | action | Breaking taboos. | |
| 9 | action | Brushing out someone's long hair for them to calm them. | |
| 10 | action | characters breaking down and screaming at the top of their lungs, | |
| 11 | action | characters standing on a really high ledge looking down, | |
| 12 | action | cigarette lighting | |
| 13 | action | Crafts, spinning, weaving, knitting, playing with fiber, creating | |
| 14 | action | Dancing and fighting and fucking and believing that they're all the same, in some ways. | |
| 15 | action | Dancing: watching someone move with confidence, ease, and grace through a series of complicated steps (same goes for fighting). | |
| 16 | action | daring motorcycle rides | |
| 17 | action | Explosions, | |
| 18 | action | fighting to save the man beside you and not for the cause, | |
| 19 | action | fighting up stairwells | |
| 20 | action | Flying. | |
| 21 | action | grand romantic gestures that are a little foolish (throwing a glass into the fire after a toast, charging headlong into a fight when outnumbered) | |
| 22 | action | Gunfights. | |
| 23 | action | handholding, | |
| 24 | action | hands carding through hair, | |
| 25 | action | hands, someone's fingers sliding under clothing, the edge of a t-shirt, | |
| 26 | action | hand-to-hand fight scenes. | |
| 27 | action | Helplessness by choice, a momentary surrender of power. | |
| 28 | action | heroic charges into insurmountable odds. | |
| 29 | action | High kicks. | |
| 30 | action | Holding hands. | |
| 31 | action | Holding someone still with one hand tangled in their hair, head pulled back, throat exposed. | |
| 32 | action | intense stares | |
| 33 | action | Jumping off a cliff with your wings still folded, then casting them wide to soar. | |
| 34 | action | jumping off of really tall things without looking first, | |
| 35 | action | kidnappings, | |
| 36 | action | kisses on the nape of the neck, | |
| 37 | action | kissing the throat | |
| 38 | action | Kneeling in solitary prayer, being watched without knowing. | |
| 39 | action | Knowing something is doomed and doing it anyway | |
| 40 | action | kung-fu fights, | |
| 41 | action | Laughing in the face of society (Rhett Butler & Scarlett O'Hara). | |
| 42 | action | one person lighting another's cigarette, | |
| 43 | action | Perching. | |
| 44 | action | pool sharking | |
| 45 | action | Power exchange, be it overt or subtle, the strong character becoming weak and the supposed weaker one having to care for them. | |
| 46 | action | Power walks! | 2 |
| 47 | action | Repressing desire for so long that when the dam finally bursts, clothes get ripped off in the process, bruises are left, territory is marked. | |
| 48 | action | Resolve setting a course and following it through. | |
| 49 | action | riding off into the sunset, | |
| 50 | action | rubbing a thumb against the lip of wine glass | |
| 51 | action | Running after someone in the rain and making a hopeless, last-ditch declaration of truth. | |
| 52 | action | Running just for the joy of it, of having a body that works and moves well, along the rooftops. Leaping the gaps in between without even a pause. | |
| 53 | action | Running through the enemy base to get to your target before the bombs go off in exactly 3:14, and your timing is perfect because you're playing a favorite piece of music in your head and you know just how long it is. | |
| 54 | action | Sex against a wall because it was just too much to wait for | |
| 55 | action | sex in a library (!) | |
| 56 | action | sex in desperate and inappropriate situations, | |
| 57 | action | Sex somewhere that might be overheard, and trying desperately to stay quiet. | |
| 58 | action | standing close enough to kiss without ever touching | |
| 59 | action | staying out in the pouring rain, | |
| 60 | action | stupid heroics, | |
| 61 | action | survival in the wilderness, | |
| 62 | action | swashbuckling in all forms, | |
| 63 | action | Swordplay and fencing and duelling | 4 |
| 64 | sensation | The fine line between pain and pleasure | |
| 65 | action | The unexpected twist and flip, the cool move in battle. | |
| 66 | action | Those quiet, calm conversations between two characters where there is nothing else going on, just them concentrating on each other and talking and enjoying the calm before the storm because they know that everything is going to hit the fan and that at least one of them will be dead soon. | |
| 67 | action | Wrists held together over the head. | |
| 68 | atmosphere | A deep sense of history. | |
| 69 | atmosphere | Connections to mythic cycles, or reasonably developed made-up mythic cycles. | |
| 70 | atmosphere | Dark and stormy nights. | |
| 71 | atmosphere | Deep time. | |
| 72 | atmosphere | Made-up religions. | |
| 73 | atmosphere | Old West gunfights, | |
| 74 | atmosphere | Storms, and shelter from storms. | |
| 75 | atmosphere | The changing of the seasons. | |
| 76 | atmosphere | The non-human as genuinely wild and strange and not entirely comprehensible. | |
| 77 | atmosphere | The weight of history. | |
| 78 | atmosphere | thunder and lightning | |
| 79 | character | Incredible loyalty, beyond any reason or explanation. Stupid descions made in full awareness... That knowledge that what you're about to do will change nothing and will make no difference, but doing it anyway simply because that's who you are....Two allies in a fight who know each others moves without needing to look, winning out against a crowd. | 2 |
| 80 | character | a bloody slash on a cheekbone | |
| 81 | character | a few tears shed by the character who just doesn't cry. | |
| 82 | character | A sense of the ability of ordinary people to make and do and change things. | |
| 83 | character | Alternative sexualities. | |
| 84 | character | Alternative sexualities. | |
| 85 | character | amnesia, | |
| 86 | character | Amnesia. | |
| 87 | character | and when big lunks turn out to be surprisingly perceptive. | |
| 88 | character | Androgynous boys, androgynous girls. | |
| 89 | character | anthropomorphic personifications | |
| 90 | character | Anything that fucks with gender roles or confronts the resistance that characters who fuck with gender roles will encounter. | |
| 91 | character | Assassins. | |
| 92 | character | Being able to let go and not fear everything falling apart because someone is there to catch you | |
| 93 | character | Being transformed to human then learning how to be human. | |
| 94 | character | boys crying, | |
| 95 | character | boys in love but afraid, | |
| 96 | character | Boys with long lashes and delicate limbs who could kill you a dozen different ways before you had time to react. | |
| 97 | character | Boys with wings, | |
| 98 | character | boys with wings, | |
| 99 | character | Brittle, polycompetent, glossy heroes who possess a tinge of self-loathing. | |
| 100 | character | Broken halves making a whole. | |
| 101 | character | broken people supporting each other, | |
| 102 | character | cat lovers, | |
| 103 | character | catboys, | |
| 104 | character | Changelings and orphans and people without a home, and instead of finding it they get a friend or lover to make a new home with. | |
| 105 | character | Changelings and stolen children. | |
| 106 | character | Changes over time--physical bodies, clothing, attitudes. Goes back to that personal history thing. | |
| 107 | character | Characters who are trying to make a positive and lasting impact on the world. | |
| 108 | character | Characters who have senses of humor and senses of wonder; wordplay, joking, recognition that the situation they are in is odd or improbable. | |
| 109 | character | Characters who live in caves. | |
| 110 | character | Characters who live in trees. | |
| 111 | character | characters who smile for the first time and it's absolutely charming and kind of awkward, | |
| 112 | character | characters with obsessions, | |
| 113 | character | Cold and/or deadly courtesans (in fiction only) | |
| 114 | character | Cold female assassins and the loyal and nice men who love them and stick by them | |
| 115 | character | cold female assassins, | |
| 116 | character | Cold female assassins, WHOO!!! | |
| 117 | character | collarbones, | |
| 118 | character | Command presence. | |
| 119 | character | commanding officers, | |
| 120 | character | Competence, | |
| 121 | character | Competence. | |
| 122 | character | Competence. OMG competence, esp. quiet competence, gets me every time. | |
| 123 | character | Competent girls. Especially kick-ass girls. | |
| 124 | character | Computer genius sidekicks. | |
| 125 | character | computer hackers that aren't nerds, | |
| 126 | character | Confident women. | |
| 127 | character | cowboys, | |
| 128 | character | cute mexican sht boys, | |
| 129 | character | Cynical idealists, who really want just one good reason to get back into love/the fight/hope. | |
| 130 | character | Dark Byronic antiheros. | |
| 131 | character | delicate girls who look down on the whole world, | |
| 132 | character | Demons! | |
| 133 | character | Devotion. Absolute, mutual devotion. | |
| 134 | character | Diversity - characters who have a background. | |
| 135 | character | drug addicts, | |
| 136 | character | estranged family members, | |
| 137 | character | evil twins | 2 |
| 138 | character | Extraordinary people, people on the fringe and above the norm: Mutants, gods, Slayers, psychics, whatever. | |
| 139 | character | extreme competence as a compensation for loneliness and social awkwardness | |
| 140 | character | Extremely competent and cool guys who turn out to be complete dorks on the inside | |
| 141 | character | faith, | |
| 142 | character | fallen angels, | |
| 143 | character | female characters who everyone is scared of, | |
| 144 | character | Female pirates. | |
| 145 | character | fighter pilots, | |
| 146 | character | fighters with impractical clothing who fight easily anyway. | |
| 147 | character | fitting in just right. | |
| 148 | character | Flawless loyalty. | |
| 149 | character | Friendship. Romance bores me - I like friendship, the-family-you-choose, the kind of friendship that is so natural and runs so deep that of coure you would take a bullet for the other person; any other course of action wouldn't even cross your mind. | |
| 150 | character | Girls disguised as boys (preferably crossed with cold female assassins) | |
| 151 | character | Girls disguised as boys, | 3 |
| 152 | character | Good guys who become bad guys and vice versa, but only when done well, like in Xena, and not like the new Star Wars trilogy which sucked. | |
| 153 | character | Grey hair--it's a signifier to me of toughness, and survival instincts. | |
| 154 | character | Guys in love with women who don't know it, guys being in love and not showing it except in the small gestures that she doesn't notice | |
| 155 | character | heroes. | |
| 156 | character | hidden pasts, | |
| 157 | character | Honest enthusiasm, stripped of cynicism. | |
| 158 | character | I have a thing for resentful attraction. | |
| 159 | character | I like the normal animals horses, big cats, wolves falcons, etc. but I absolutely love fantasy creatures like unicorns and gryphons. - as characters | |
| 160 | character | I like when a slightly evil or misunderstood, or dark/misanthropic/does not play well with others male character finds the woman (or man) who finally throws him off his game | |
| 161 | character | I love UST that builds slowly as people learn one another. Not instant, but over time. Sneakily, and they don't recognize that's what it is. Yum. | |
| 162 | character | I tend to enjoy girl leads and | |
| 163 | character | In general, cold and/or icy and/or deadly women and the men who love them | |
| 164 | character | Incredible loyalaty, beyond any reason or explanation. | 2 |
| 165 | character | Intelligence. | |
| 166 | character | Kick-ass women. | |
| 167 | character | Ladies Who Are Not What They Seem, | |
| 168 | character | Learning something unexpected about someone, that totally shifts your perception. | |
| 169 | character | librarians | |
| 170 | character | Lucifer | |
| 171 | character | madames with a heart of gold | |
| 172 | character | Male prostitutes (in fiction only) | |
| 173 | character | Men and women who are just friends with genuinely no sexual tension. | |
| 174 | character | Men being domestic and loving with each other. | |
| 175 | character | men following orders, | |
| 176 | character | men who are good with guns and kids, | |
| 177 | character | men with charm, | |
| 178 | character | Misanthropic, misunderstood loners, and the people who love them. | |
| 179 | character | Nice guys who don't finish last. | |
| 180 | character | not fitting in, | |
| 181 | character | odd-couple friendships, | |
| 182 | character | Old friends knowing each other very, very well, or any kind of deep mutual character knowledge between two people. | |
| 183 | character | Ordinary people and ordinary lives, finding extraordinary joy in the ordinary | |
| 184 | character | Ordinary women who make mistakes, but come through it OK not some infallible sex goddess who always wins. | |
| 185 | character | Pacifism - characters who believe in nonviolence, and go against everything they believe in so they can fight, not because they think it's the right thing to do but because it's the only thing to do. | |
| 186 | character | partnerships of equals, mentors and students, | |
| 187 | character | People finding a family (blood-related or not) and forming a bond to each other that isn't romantic but is bone-deep | |
| 188 | character | people genuinely caught between two cultures, | |
| 189 | character | People in love with life's small things and who live in the moment | |
| 190 | character | people passionate about their work or craft, | 2 |
| 191 | character | People so reserved that just the touch of a hand speaks volumes (Saiyuki! Morgaine!) | |
| 192 | character | people suffering stoicly, not expecting others to notice, | |
| 193 | character | People teaching other people to live and to love | |
| 194 | character | people unwillingly drawn to another's charisma, | |
| 195 | character | people who can kick straight up, | |
| 196 | character | People who flat out like each other's company (Doctor and Rose!), | |
| 197 | character | People who get through things, together. | |
| 198 | character | People who have each other's backs. | |
| 199 | character | People who have lost hope and how they slowly grow to find it again | |
| 200 | character | people who love each other but don't ignore everything else that's important to them because of that love, | |
| 201 | character | people who throw themselves into the line of fire to save people who don't deserve it, | |
| 202 | character | people with ordinary/low backgrounds discovering they have some special gift that vaults them to importance. | |
| 203 | character | people with wings, | |
| 204 | character | polite, nice, good-mannered men brought to their breaking points (either sexually or not), and what happens then | |
| 205 | character | political firebrands, | |
| 206 | character | Premature gray, | |
| 207 | character | priests | |
| 208 | character | prominent collarbones, | |
| 209 | character | psychic kids | |
| 210 | character | Quiet, angsty boys. | |
| 211 | character | Quiet, angsty, shapeshifting boys. | |
| 212 | character | Quietly lost people who have abandoned hope and their sadness and how they still try to help others despite feeling forsaken | |
| 213 | character | Scars on the abdomen, the shoulders, the chest. | |
| 214 | character | scholars. | |
| 215 | character | school boys doing generally immoral things (prefferably to each other), | |
| 216 | character | school boys smoking, | |
| 217 | character | scientists in over their heads, | |
| 218 | character | Secret identities -and coming out -and secrets within the secrets -and shifting identities. | |
| 219 | character | sentient weapons, | |
| 220 | character | sexual tension between snarky bickering partners. | |
| 221 | character | sexy librarians, | |
| 222 | character | Sexy wounds. | |
| 223 | character | shaved heads. | |
| 224 | character | Someone who does the wrong thing, the evil thing, in order to achieve a greater good--who takes on the sin willingly, knowingly. They don't want to do it, but they'll do it if they have to and they won't let anyone else do it for them. They own their sins | |
| 225 | character | Someone who gets into something by accident, not for the adventure, and is utterly out of their depth and yet figures it out, makes it work. | |
| 226 | character | spies, | |
| 227 | character | Storytellers and tricksters, people who can make worlds with their words, tell lies so pretty you believe them even when you know better. | |
| 228 | character | strategists, | |
| 229 | character | strong women protecting weak men, | |
| 230 | character | Strong, competant characters backed into a corner. | |
| 231 | character | Strong, competent, kickass women who go through the entire work including ending without having any hint of a romantic relationship. | |
| 232 | character | Strong, three-dimensional women. | |
| 233 | character | Sympathetic villains. | |
| 234 | character | That knowledge that what you're about to do will change nothing and will make no difference, but doing it anyway simply because that's who you are. | |
| 235 | character | The curve of a woman's neck. | |
| 236 | character | The edge of insanity. | |
| 237 | character | The inner beast barely held in check. | |
| 238 | character | The joy of knowledge and knowing and learning, loving an activity for the activity itself and not for the outcome | |
| 239 | character | The line of a man's jaw. | |
| 240 | character | the man in black, | |
| 241 | character | The moment when a strong person can't take it any longer and a shoulder magically appears for them to lean on | |
| 242 | character | The moment when a strong person snaps. | |
| 243 | character | the one girl on the team of giant robots who always knows what's up because she actually read the Giant Robot Instruction Book, | |
| 244 | character | the one who stays behind to make sure everyone else gets out safe, | |
| 245 | character | The power of one person's emotions to affect the world. | |
| 246 | character | The rhythms of different dialects working against each other, a set of characters born from very diverse origins. | |
| 247 | character | The social outcast and the diva hooking up, a la beauty & the beast, something about cutting through a profound sense of alienation and difference, and the feeling of being loved despite it, or because of it. | |
| 248 | character | The weight of personal history. | |
| 249 | character | Thieves and pickpockets and gypsies, people living on the edges of society who take advantage of the people who are more secure, who get back some small measure of power by outwitting and fooling the powerful. | |
| 250 | character | Tragic past lives and reincarnation, examining what makes people who they are, bonds that go beyond time and body and sex | |
| 251 | character | Transformations are fun, but more so if the character could find a way to enjoy it. | |
| 252 | character | Travelers. | |
| 253 | character | Two allies in a fight who know each others moves without needing to look, winning out against a crowd. | |
| 254 | character | uncomfortable but real faith, | |
| 255 | character | villains in love, | |
| 256 | character | werewolves, | |
| 257 | character | wings | |
| 258 | character | wise-cracking yet surprisingly competent side-kicks, | |
| 259 | character | wit, | |
| 260 | character | women who know their own worth, | |
| 261 | character | women with guns. | |
| 262 | character | women with knives or guns. | |
| 263 | character - clothing and personal style | 1940s American fashion | |
| 264 | character - clothing and personal style | A smoking hot leather jacket over jeans. | |
| 265 | character - clothing and personal style | Also women in men's clothes, either just as an ordinary thing or trying to pass. | |
| 266 | character - clothing and personal style | bare feet | |
| 267 | character - clothing and personal style | Bare feet. | |
| 268 | character - clothing and personal style | black leather gloves | |
| 269 | character - clothing and personal style | Black leather trenchcoats. | |
| 270 | character - clothing and personal style | boys in uniform, | |
| 271 | character - clothing and personal style | boys out of uniform, | |
| 272 | character - clothing and personal style | cloaks, | |
| 273 | character - clothing and personal style | Cloaks, yes. I'm a sucker for people in cloaks. Especially angsty shapeshifting boys. But anyone, really. | |
| 274 | character - clothing and personal style | Collars, | |
| 275 | character - clothing and personal style | Eyepatches, | |
| 276 | character - clothing and personal style | guys with glasses | |
| 277 | character - clothing and personal style | Hair in cornrows, with beads at the ends. | |
| 278 | character - clothing and personal style | hipbones peeking out from low slung pants | |
| 279 | character - clothing and personal style | knee high boots, | |
| 280 | character - clothing and personal style | knives in garter belts | |
| 281 | character - clothing and personal style | long coats that are a little too long in the sleeve | |
| 282 | character - clothing and personal style | Long hair. | |
| 283 | character - clothing and personal style | Long robes tattered by wind. | |
| 284 | character - clothing and personal style | Long, loose hair and eyes looking up from under it. | |
| 285 | character - clothing and personal style | men in glasses | |
| 286 | character - clothing and personal style | Men with long dark hair, especially if they are closed off and of few words. | |
| 287 | character - clothing and personal style | Really outlandish women's hats. | |
| 288 | character - clothing and personal style | rolled up sleeves | |
| 289 | character - clothing and personal style | school uniforms, | |
| 290 | character - clothing and personal style | Shoes cast thoughtlessly aside. | |
| 291 | character - clothing and personal style | silk scarves | |
| 292 | character - clothing and personal style | sticky wet clothes | |
| 293 | character - clothing and personal style | Straight boys in skirts. Not drag queens or trannies, just boys who aren't very good at it, but can still pass. | |
| 294 | character - clothing and personal style | style. | |
| 295 | character - clothing and personal style | Tall men in dark Armani suits. | |
| 296 | character - clothing and personal style | tattoos the kind that are hidden and surprising | |
| 297 | character - clothing and personal style | the stray strands of hair that float out when a women's hair is worn up | |
| 298 | character - clothing and personal style | thigh holsters | |
| 299 | character - clothing and personal style | three-piece suits, | |
| 300 | character - clothing and personal style | trenchcoats | |
| 301 | character - clothing and personal style | veils | |
| 302 | character - clothing and personal style | vintage dress (form various eras) | |
| 303 | character - clothing and personal style | waistcoats, | |
| 304 | character - clothing and personal style | Women dressed sensibly for battle. No skirts or slinky tops, and armed like the men. | |
| 305 | character - clothing and personal style | women in men's dress shirts (and nothing else) | |
| 306 | character - clothing and personal style | women with long nails, | |
| 307 | character trait | androgyny, | |
| 308 | character trait | clairvoyance, | |
| 309 | character trait | Gay that's not camp, or sleazy, or fake. | |
| 310 | character trait | good manners (it's a thing) | |
| 311 | character trait | pyrokinesis, | |
| 312 | character trait | Telekinesis, | |
| 313 | character trait | telepathy, | |
| 314 | character trait | tossing a coin and catching it repeatedly | |
| 315 | character trait | Unexpected possessiveness. | |
| 316 | dramatic imagery | A drop of honey, a willing tongue. | |
| 317 | dramatic imagery | And of course, gratuitous nudity. | |
| 318 | dramatic imagery | black helicopters | |
| 319 | dramatic imagery | flower imagery | |
| 320 | dramatic imagery | Horses | |
| 321 | dramatic imagery | Loyalty. Sidekicks who will hang over a pit of hot oil and not give up their partner for anything; lovers who will withstand torture for each other; it shows you that the hero is smart enough not to surround him/herself with idiots and I love the big, swooping rescue when it comes. If it comes. | |
| 322 | dramatic imagery | Notes in the margins of books. | |
| 323 | dramatic imagery | raindrops dripping into a pool | |
| 324 | dramatic imagery | seeing someone as a reflection in another's eye | |
| 325 | dramatic imagery | sense memory (smell mostly) | |
| 326 | dramatic imagery | The same things being found and relearned by successive generations. | |
| 327 | dramatic imagery | The sudden stray grace of a fire escape red with rust against a blue sky, or a shattered glass bottle on the ground reflecting a sunset. | |
| 328 | dramatic imagery | wrought iron gates with dangerous fleurs de lis | |
| 329 | element | anything gracefully predatory: wolves, foxes, falcons. | |
| 330 | element | Arts and (in particular) crafts, especially with a keen appreciation of hard work and craftsmanship. | |
| 331 | element | barbecue | |
| 332 | element | books, | |
| 333 | element | Borders. | |
| 334 | element | ciphers, | |
| 335 | element | Codes and ciphers | |
| 336 | element | Dogs. | |
| 337 | element | Elaborate clothing that means things, fan language, hair language, kimono language | |
| 338 | element | Exotic perfumes. | |
| 339 | element | fans; obscuring faces, or used as weapons, | |
| 340 | element | fast cars, | |
| 341 | element | giant robots, | |
| 342 | element | Gracefully curved blades. | |
| 343 | element | Intelligent familiars that don't for chrissakes talk. | |
| 344 | element | Knives. | |
| 345 | element | Lost knowledge. | |
| 346 | element | Magic. | |
| 347 | element | Mirrors their intrinsic magic, their silver fluidity, truth and lies reflected. | |
| 348 | element | Musical crescendoes. | |
| 349 | element | Oh, and penguins. Yeah, penguins. | |
| 350 | element | south Indian martial arts weapons, | |
| 351 | element | spy gear like cell phones that really turn into laser guns, | |
| 352 | element | team spirit, | |
| 353 | element | Things made of glass. | |
| 354 | element | Wolves, lions. | |
| 355 | genre | cyberpunk, | 2 |
| 356 | genre | Picaresque novels. | |
| 357 | plot | A long, slow build of sexual tension between two people who are intellectually matched and equally stubborn (bonus points if the tension is resolved with a passionate kiss during a particularly heated argument). | |
| 358 | plot | Also interracial relationships--that sense of confronting and crossing borders. | |
| 359 | plot | Apocalypse, the end of the world, and people who will follow each other through it. | |
| 360 | plot | Belief/desire/will that transforms reality by its own strength. | |
| 361 | plot | Bittersweet endings, reminiscing about what and who was lost but tinged with optimism that the world goes on. | |
| 362 | plot | body switching (I LOVE BODY SWITCHING) | |
| 363 | plot | characters going down fighting for something or someone they believe in. | |
| 364 | plot | characters selfishly leaving everything behind, other characters hating them for it (but still loving them), | |
| 365 | plot | Court politics, whispers in hallways or ballrooms that make and break alliances, the power of one person's personality being enough to change the course of a kingdom. | |
| 366 | plot | doing anything in the name of innovation, | |
| 367 | plot | double identities | |
| 368 | plot | Epic battles conducted in the political sphere, especially in fantasy settings. | |
| 369 | plot | Epic, sweeping stories with sublime endings. | |
| 370 | plot | failure. | |
| 371 | plot | Family pulling through (the dell north of Hexham!). | |
| 372 | plot | fighting the inevitable, | |
| 373 | plot | forbidden angel/demon love, especially if there's a war waging between heaven and hell | |
| 374 | plot | Forced to be in close quarters with another, especially an enemy. | |
| 375 | plot | Gaming the system. | |
| 376 | plot | giving up everything to save the world, | |
| 377 | plot | Happy endings. | |
| 378 | plot | Hero/villain interaction, especially when layered with a love/hate relationship or a kind of complex friendship intertwined with the rivalry. | |
| 379 | plot | heroics, | |
| 380 | plot | Hidden heirs that don't know they're heirs, | |
| 381 | plot | history that threatens to repeat itself, | |
| 382 | plot | hopeless crusades, | |
| 383 | plot | I like it better if romance stays in romance, as a heroine doesn't need a love interest. | |
| 384 | plot | I mentioned body switching, right? *g* | |
| 385 | plot | I would love to see a female vampire story not revolving around sex. | |
| 386 | plot | Imprisonment and negotiation, trying to wear the captive down into surrender rather than force them ... mind games and seduction. | |
| 387 | plot | Inheritance. | |
| 388 | plot | lessons learned young and taught to a new generation, | |
| 389 | plot | Love that transcends limits. | |
| 390 | plot | Love triangles which resolve with all three of them walking off into the sunset together. | |
| 391 | plot | Magic that costs. | |
| 392 | plot | Major age differences in a romantic/sexual relationship, and the overcoming thereof. | |
| 393 | plot | Marriages of convenience, | |
| 394 | plot | mind games, | |
| 395 | plot | Moral ambiguities, when both parties might be right or might be wrong, and it's all just in how you look at it. | |
| 396 | plot | Mortals meeting gods. | |
| 397 | plot | Opposites attracting, yin/yang, dark twin/light twin lex luthor and superman locked together forever. | |
| 398 | plot | Or a character that decides to stay in the fantasy world instead of returning home. | |
| 399 | plot | Poisons and the study thereof | |
| 400 | plot | prophecy. | |
| 401 | plot | pyrrhic victories, | |
| 402 | plot | Really complicated political intrigue, particularly in courts in which the slightest gesture means volumes and no one is safe | |
| 403 | plot | Really complicated, Rube Goldberg-esque assassination/caper/con plots | |
| 404 | plot | Saving the person you love, at the cost of never being able to see them again. | |
| 405 | plot | screaming matches turning into ravishing kisses | |
| 406 | plot | six degrees of seperation, | |
| 407 | plot | small humiliations that blossom into revenge | |
| 408 | plot | solitary journeys to unknown destinations, | |
| 409 | plot | stay until the bitter end, | |
| 410 | plot | Stockholm syndrome, as a purely fictional trope. | |
| 411 | plot | stories about what happens after the revolution. | |
| 412 | plot | Stupid descions made in full awareness, like a man who knows the woman will never love him back, but choosing to follow her anyway, or the girl who knows there is no way she will win the fight and that trying will only make things worse, but who fights regardless. | 2 |
| 413 | plot | suicide missions, | |
| 414 | plot | the bitter end, | |
| 415 | plot | the end of the world. | |
| 416 | plot | The journey is more important than the destination. | |
| 417 | plot | Time travel. | 2 |
| 418 | plot | true love not making it any better, | |
| 419 | plot | two people locked in conversation and basically having sex only through the double meaning of their words | |
| 420 | plot | unexpected physical attacks from those you trust | |
| 421 | plot | What happens after the world is saved, what happens after the fairy tale is over | |
| 422 | sensation | A swan dive from a height, and the sound of hitting the water, the feel of bubbles rushing past your body. | |
| 423 | sensation | breath on the back of a neck | |
| 424 | sensation | Bright colors. | |
| 425 | sensation | Food porn. | |
| 426 | sensation | Food! I adore descriptions of food; there are books I rememebr for years because they talk about food in memorable, appetite-whetting detail. | 3 |
| 427 | sensation | Language for its own sake, and people who love it. Odd tidbits of antiquarian knowledge thrown in for no reason. | |
| 428 | sensation | Linguistics, and people having power or useful knowledge because they speak/read/understand more than one language. | |
| 429 | sensation | Melting ice cream. | |
| 430 | sensation | Polyphonic choral bits, and words entwining with each other. | |
| 431 | sensation | Portuguese, sung or spoken. | |
| 432 | sensation | Sensuousness, by which I mean characters enjoying the sensory world around them. Orange paper cranes against a blue sky, a cherry tomato eaten off the vine and squirting in the mouth, running your hands along silk or leather or stone just to feel the texture. | |
| 433 | sensation | Silks and satins. | |
| 434 | sensation | The extremes of weather: freezing temperatures, or ones so hot everything is sweaty and languid, storms. | |
| 435 | setting | A circus - not going to one, but the people in it, the regular lives of clowns and fortune tellers and freak show stars. | |
| 436 | setting | A city street at night, bustling with people and light and languages. | |
| 437 | setting | Anything Japan. | |
| 438 | setting | Architecture that curves like the human body, buildings that are sensual within themselves. | |
| 439 | setting | Attics, especially attic bedrooms. | |
| 440 | setting | autumn leaves, | |
| 441 | setting | Ballrooms ful of swishing skirts and duplicity. | |
| 442 | setting | Beaches, and oceans, the salt taste of the air and the white foam of the waves against the sand. | |
| 443 | setting | Big old houses with magic in the very halls and doors, | |
| 444 | setting | carriages. | |
| 445 | setting | Church steeples. | |
| 446 | setting | cities with long histories, | |
| 447 | setting | Deep forest. | |
| 448 | setting | Definitely izakayas. | |
| 449 | setting | Deserts, the starkness and emptiness of them: enourmous expanses of nothing but sand and the wind reshaping the dunes, the few people around hidden in layers from a harsh sun and the footprints they make wiped away in minutes, and the joy of an oasis in all that wasteland, trees and water like miracles. | |
| 450 | setting | DRAGONS. | |
| 451 | setting | Dying civilizations. | |
| 452 | setting | Elaborate mysterious architecture. | |
| 453 | setting | empty building lobbies with high twisting stairwells so that you can see all the way down from the top floor | |
| 454 | setting | empty public places at night, | |
| 455 | setting | Fields of roses. | 2 |
| 456 | setting | fountains, | |
| 457 | setting | Funeral scenes - oh G-d, funeral scenes kill me. | |
| 458 | setting | Giant country mansions with huge, dark, glossy lawns and trees that crowd the windows. | |
| 459 | setting | Graveyards, | |
| 460 | setting | Heian Japan | |
| 461 | setting | houses that contain or represent the world. | |
| 462 | setting | Houses. | |
| 463 | setting | izakayas, | |
| 464 | setting | large cities, | |
| 465 | setting | Leaves blowing in the wind. | |
| 466 | setting | Libraries, | 2 |
| 467 | setting | Long, long drives in cars with the windows down and radio streaming out to the warm air, miles of road disappearing under the tires, and watching the land pass by without anything to say. | |
| 468 | setting | Looking out across a city, a forest, a valley, a plain, the sky and seeing the points of light that mean groups of people or beings and realizing that each of them has their own story happening. | |
| 469 | setting | Lost civilizations. | |
| 470 | setting | Lots and lots of windows. | |
| 471 | setting | Low tides and the hidden things they reveal. | |
| 472 | setting | Meiji Japan and the mix of modern and traditional, bowler hats and canes with hakama and gi | 2 |
| 473 | setting | Mountains. | |
| 474 | setting | Moving water. | |
| 475 | setting | museums that are dusty and empty and quiet | |
| 476 | setting | Pretty much anything involving angels, demons, Heaven and Hell | |
| 477 | setting | Red, red, red pillows. | |
| 478 | setting | Religion. Rituals, and faith, and metaphysics; any or all of those. | |
| 479 | setting | respect for tradition *and* innovation, | |
| 480 | setting | Rivers. | |
| 481 | setting | road trips, | |
| 482 | setting | roaring fireplaces | |
| 483 | setting | roller discos, | |
| 484 | setting | ships, | |
| 485 | setting | sleeper cars in trains | |
| 486 | setting | Subcultures, both hidden and open. | |
| 487 | setting | The backstage of a play. | |
| 488 | setting | The edge between civilization and the unknown. | |
| 489 | setting | The figures that hide in a piece of woodgrain, or the plaster on a wall. | |
| 490 | setting | the Gilded Age, bustles, the beginning of technology in every day life | |
| 491 | setting | The Jazz Age. | |
| 492 | setting | the moments before an era fades away, | |
| 493 | setting | the moon | |
| 494 | setting | the mountains | |
| 495 | setting | the ocean | |
| 496 | setting | The previous landscapes, lost in mist. | |
| 497 | setting | The ruined parts of cities, the parts that are the oldest and were once loved, but are now falling into a ghetto, broken windows, grafitti, trash in the streets, fires in dumpsters and trash cans. The people who live in them now and know them like the back of a hand; children racing through paths of chain-link fences and boarded up warehouses that no one who hadn't grown up there could follow. | |
| 498 | setting | Trading routes. | |
| 499 | setting | Travel novels where the culture/area/country/whatever works almost as a character. | |
| 500 | setting | War-zones, | |
| 501 | theme | Hope that continues without reason, the last tiny spark that can't be extinguished. | |
| 502 | writing | A beautiful sentence that says things in a way you never would have thought of. | |
| 503 | writing | Challenging the boundaries of the stories | |
| 504 | writing | Cleverly woven stories that repeat the same themes in different ways that link together neatly | |
| 505 | writing | double entendres | |
| 506 | writing | Good dialogue, people who talk like people - especially in fantasy, I can't go for all the "thee" and "thou" and "thus" crap. I want characters who say "fuck" and mean it. | |
| 507 | writing | Metafiction and tricks of style; stories that twist in on themselves, twist time, twist causality. My appetite for novelty is almost infinite. | |
| 508 | writing | selkie legends, | |
| 509 | writing | stories split between two time periods, | |
| 510 | writing | Stories told on several levels, including the mythic and the prosaic, at the same time. | |
| 511 | writing | Words that have layers and mean more than they seem to, wordplay |